Un prodotto Angelini

02/11/2020

Society

4 minutes

Is Winnie the Pooh a Metaphor for Mental Health?

There's more than just a children's story: the beloved book might also provide an illuminating way of looking at post-traumatic stress disorder.

Winnie-the-Pooh has been one of the world's best loved fictional creations since he first appeared in 1926. Thanks in part to the Walt Disney cartoons based on his adventures in Hundred Acre Wood, he and his friends Piglet, Eeyore, Owl, Rabbit and Tigger have charmed generations of children and adults. But as well as imparting valuable lessons about friendship, could the Winnie-the-Pooh stories also provide insight into mental health conditions? 

The idea may sound counterintuitive, but it isn't a new one. An article entitled “Pathology in the Hundred Acre Wood: a neurodevelopmental perspective on A.A. Milne”, which appeared in the Canadian Medical Association Journal in 2000, suggested that each of the characters might be interpreted as embodying the symptoms of post-traumatic stress disorder (PTSD). This is a condition which can develop after a person has been exposed to an event like war, assault, sexual assault or some other threat to their life which can cause mental or physical distress, changes in the way sufferers think and feel and an increase in the fight-or-flight response – all symptoms which can make it difficult for sufferers to live a normal life. 

Having fought in some of the most bloody battles of World War IPooh's creator A. A. Milne, like many of his fellow veterans, may have returned home with an undiagnosed case of PTSD. Some see the Pooh stories as an attempt to forge a connection with his son, Christopher Robin, and the theory claims that in them, Milne uses the characters to represent individual symptoms of the condition. 

Piglet might be seen as representing the anxiety and hypervigilance which can arise in the aftermath of trauma, leaving us constantly anticipating danger. Tigger's hyperactive impulsiveness and recklessness are common symptoms of trauma response, while Eeyore's depression might illustrate how trauma can impact the ways in which we view ourselves and others, making us self-critical, quick to withdraw from social interaction and unable to experience happiness. Rabbit, meanwhile, highlights the inflexible obsession with rules which can develop after traumatic events have threatened our understanding of the way the world works, and the pompous Owl shows the difficulties with intimacy common among those struggling with PTSD, which often leaves sufferers too emotionally exhausted for genuine intimacy and connectedness. And with his obsessive search for honey, Pooh sounds very much as though he might be suffering from dissociation, a condition where, after dis-associating to cope with a traumatic situation, the mind begins to dissociate frequently as a coping strategy, the dissociation manifesting as a preoccupation with, for example, food, exercise or drugs. 

But Pooh and his friends also highlight how reductive it is to reduce sufferers to nothing more than a list of problematic symptoms. Though Pooh may be somewhat obsessive, he's also kind, funny and a good friend, and despite Tigger's hyperactivity being exhausting, he is also fun and full of energy. Together, Pooh and his friends form a creative and compassionate group of friends, underscoring the importance of looking at our experiences collectively and reminding us that, though life with PTSD can be challenging, we needn't be defined only by our fears and anxieties. 

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